Groups must clean up all areas and materials used
for painting at the end of the work session. This includes brushes,
rollers, buckets and unused paint. All unused paint must be disposed of
or stored properly.
Tools
Hand Tools
- Measuring:
Tape Measure, Framing Square, Tri Square, Protractor, Level
- Marking tools:
Pencils, chalk line, scribe, compass
- Hammers
- Cutting tools:
Saws, utility knife, scissors, tin snips, chisels, planes/rasp, files
- Clamping tools:
Vises, bar clamp, c-clamp, quck-grip, vise gripes, band clamps,
pliers,wrenches,
- Screwdrivers:
Standard, phillips, nut drives, ratchet screwdriver
- Misc.:
Wrecking bar, nail puller, grommet set, staple guns, bolt cutter, pipe
cutter, Tap and Die set,
Power Tools
Stationary
- Table Saw
- Radial Arm Saw
- Band Saw
- Drill Press
- Power Miter Box
- Bench Grinder
Power Hand Tools
- Circular Saw
- Saber Saw
- Electric hand drill
- Belt Sander
- Plam Sander
- Router
- Hand Grinder
Pneumatic Tools
- Air Compressor
- Pneumatic Staplers
- Pneumatic Nailer
Materials
Stock Lumber
All stock lumber is graded. There are two primary grades of wood,
select and common. Common grade is typically used for scenic construction.
- Select Wood is free of all knots, blemishes, erratic
graining and warps.
- No. 1 Common Lumber can have knots up to 1-1/2
inches. Knots do not have to be tight and may fall out. Warping and
twisting are more prevalent in this grade.
- No.2 Common The knots can be greater than 1-1/2 inches,
and the edges can show an occasiional strip of bark. The wood will
probably be warped and twisted
Dimensions of Stock Lumber
The Department of Agriculture determins the standards for the
thickness, width, and length of all stock lumber sold in the US.
Since the sizing is done before the boards are milled to a smooth
surface, the actual dimensions of the lumber are smaller that the
indicated size. Slight variations in the actual dimensions can be
measured on almost any piece of stock because of milling variations
and shrinkage. Measure Twice, Cut Once. Typical sizes shown
below.
Typical Usage:
- 1x3 - Standard flat framing, diagonal bracing of platform legs
- 1x4 - Large flat framing
- 1x6 - Platform Framing, Door and Window frames and similar
architectural trim, narrow sweeps
- 1x8, 1x10, 1x12 - Stair treads, sweeps, profile cutouts, large
trim, furniture
- 2x4 - Platform framing, platform legs, platform gates, other
weight bearing structures
- 2x6, 2x8, 2x10 - Beams, joists, headers, cantilever, other load bearing
structures, some stair carriages.
Plywood is available in thicknesses of 1/4, 3/8,
1/2, 5/8, and 3/4 inch. 1/4" luan is often used in place of 1/4" ply. It is all sold in 4 ft. by 8 ft. sheets.
Fasteners
- Nails
- Screws
- Staples
- Bolts and nuts
- Glues and Adhesives
Hardware
- Hinges
- Lashing Hardware
- Flying/Rigging Hardware
- Bracing Hardware
- Casters
Safety Equipment
- Safety glasses and goggles
- Hearing protection
- Dust Masks
- Respirator
- Work Gloves
- First Aid kits
Stock Scenery
Two-Dimensional Scenery
- Soft Flats
- Door and Window Flats
|
Depth pieces, or reveals, combined with applied trim help create
the illusion of wall thickness. |
|
Three Dimensional Scenery
Scene Painting
- Paints
- Dyes
- Brushes
- Sponges
- Rollers
- Sprayers
Props
PAC Props maintains the stock props and furniture for use by
participating PAC groups. All PAC groups have access at no charge to
these materials. In return, we request that any group that uses PAC
Props donates any new properties they purchase to the stock. The Prop
Shop contains treasures beyond your imagination. In order to be able
to fairly distribute the resources of PAC Props, the following
guidelines are used :
- No one shall enter the prop or furniture storage areas without
permission. Please contact The Performing Arts
Shop to schedule an appointment.
- Any articles used must be signed out and the person/group taking the
props must assume full responsibility for the articles taken. If
any articles are removed without permission a $25 fine will be charged to the
group or individual.
- If a borrowed article is lost or damaged, the borrowing group
must either replace, repair, or pay the replacement value of the
item.
- All borrowed items must be returned at the strike of the
performance. Peter Whinnery or Michelle Moller will
be present at the strike to supervise the return and ensure the
props and furniture areas are left in good condition.
- Any group which cannot provide a University account number
must leave a refundable deposit equal to the replacement value of
all borrowed items to ensure the safe return of the borrowed
items.
Production Staff
It takes many people doing a variey of jobs to mount any Theatrical
Production. Click on the chart for descriptions of the many positions
on a Production Staff. Position titles, duties, and responsibilities are
expained for a typical Penn show.
Production Calendars
Below is a partial Production Calendar for a typical show. Guidlines for making your own are here. Included here
are many important deadlines for the Producer
, Director, Designers
, Technical Director, Master
Electrician, Props, and Running Crews.
Often a seperate calendar is kept for rehearsals.
Day
|
Date
|
Time
|
Activity
|
|
|
|
|
Mon
|
10/5
|
1:00
|
6week Production Meeting
|
Tues
|
10/6
|
7-11
|
Read-Thru
|
Wed
|
10/7
|
7-11
|
Rehearsals Begin
|
|
|
|
Design meetings ongoing
|
Mon
|
10/19
|
2:00
|
4week Production Meeting
|
|
|
7-11
|
Set Construction begins (M-Th:7-11, Sun 1-5)
|
Wed
|
10/30
|
7-11
|
Run Thru for Designers
|
Mon
|
11/2
|
2:00
|
2 week Production Meeting
|
|
|
4:00
|
Light Plot Due
|
Mon
|
11/9
|
7-11
|
Scene Painting begins
|
Wed
|
11/21
|
7-9
|
Dress Parade
|
Fri
|
11/13
|
11:00
|
Lighting Rental delivery
|
|
|
1-5
|
Light Prep
|
Production Week
|
|
|
|
Sun (12 hrs)
|
11/15
|
9-1
|
Load-in
|
|
|
2-6
|
Set up / Light Hang
|
|
|
7-11
|
Same
|
Mon (9 hrs)
|
11/16
|
1-5
|
Set up / Light Focus
|
|
|
6-11
|
Actors on stage
|
Tues (9 hrs)
|
11/17
|
1-5
|
Set up / Cue writing
|
|
|
6-11
|
Tech/Dress Rehearsal
|
Wed (9 hrs)
|
11/18
|
1-5
|
Touch-up
|
|
|
6-11
|
Final Dress
|
Thurs (7 hrs)
|
11/19
|
3-5
|
Touch-up
|
|
|
6:00
|
Call
|
|
|
8:00
|
Opening Performance
|
Fri (5 hrs)
|
11/20
|
8:00
|
Performance
|
Sat (9 hrs)
|
11/21
|
8:00
|
Performance
|
|
|
10:30
|
Strike
|
60 hours Total |
When making a Production Calendar it is often
easiest to work backward from opening night. This link is a general outline of
what needs to be done when.
Last modified: Fri Feb 1 16:30:20 2008